
Multidiciplinary practitioner working at the intersections of arts, culture and policy.
Grappling through intersectionalities of power and emotion across institutions, communities and groups in our contemporary global coloniality.
Connecting through a radical relationally oriented feminist decolonial approach.Â
Image Credit: Still Disobedient Bodies: Disobedience in Five Acts 2025. Katalin Halász and Shona Hunter.Â
About
I am a big, critical, innovative and multidimensional thinker working internationally, nationally and grass roots in communities across a wide range of disciplines in this area of power.
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I have spent three decades challenging various mythologies around professional institutional and political power; researching, teaching, writing and speaking about the complicated, contested and often confused relationships we all have to broader categories of social and cultural power and vulnerability (categories like race, class, gender, generation and sexuality). I help organisations, communities and individuals to explore and understand how social inequalities, community division and the fragility of economic and political systems are a matter of power and its uneven distribution and how this unevenness can be changed.Â
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I specialise in creating collaborations that develop intellectual emotional and practical space for the difficult and challenging dialogues necessary to shifting the deeply ingrained systemic and intersectional nature of our relations to power. I do this work in the spirit of generating personal and collective responsibility and accountability for reparative social change and transformation, rather than allocating blame for histories of privilege oppression and dominance. In the spirit of decolonial and feminist public scholarly activism I work from an understanding of the general capacity and potential desire of all individuals to participate in informed, intelligent but difficult and critical conversations about power in the public domain.Â
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My working process is multidimensional bringing together arts, culture and publicly oriented pedagogy. I have developed and honed this process over many years through a deeply reflexive personal engagement with my own relationship to power and vulnerability in the context of our current global capitalist coloniality. Rooted in my thinking and writing on ‘relational politics’ my practice engages with the interconnected shifting dynamics between the material contexts and practices, the symbolic cultural norms and the affective dynamics which are in play when working with power and vulnerability.
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My primary vehicle for much of this work via WhiteSpaces Which I founded nearly twenty years ago in 2009 but these core themes and practices run throughout my arts practice, writing process, and my educational and public work.
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Professional Experience
My scholarly interests are framed through my career long engagement with feminist anti-racist decolonial critique of power. Beginning my career at the University of Birmingham UK, and having been taught in the Birmingham Center for Contemporary Cultural Studies had a profound influence on my personal and intellectual development from my introduction into the academy. Since that point my work has been underpinned by an understanding of the state as a global colonial capitalist cultural formation in which the idea of race functions ideologically and intersectionally to resolve moments of national crisis. My subsequent analysis covers all aspects of welfare politics and governance, state practices, identities and the broader material-cultural-affective politics through which the state is enacted nationally through global colonial formation. I capture this process through the idea of 'relational politics'.Â
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I hold a PhD in Social Policy, MA Social Research and BSocSc Social Policy, all from the University of Birmingham. I also hold Senior Fellowship of the Higher Education Academy for my longstanding contribution to the pedagogic leadership of Doctoral Education in Universities. I have taught nationally and internationally holding academic posts in a range of arts, humanities and social sciences academic contexts. Nationally at the Universities of Birmingham, Lancaster, Leeds, Leeds Beckett University, and internationally at the Universities of Sydney Australia, Mannheim Germany, Cape Town, Rhodes, Johannesburg South Africa. I have published books, articles and chapters across the fields of arts, cultural studies, education, policy, politics and sociology.​
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My work has been funded through various fellowships and grants from the UK Economic and Social Research Council, Research Council’s UK, The British Academy, The UK Social Policy Association, The Feminist Review Trust, The World Universities Network, The Economic and Social History Society, the National Research Foundation of South Africa. Paid consultancies include for the BBC and Lloyds Banking Commercial. Pro bono governance and trustee work includes for Rape Crisis England and Wales and Compass Live Arts.Â
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As an editor my main contributions are in the development of critical intersectional feminist decolonial analysis of social policy making, welfare governance and institutions, including 16 years service on the editorial collective of the top global tier journals Critical Social Policy (including 7 years in the lead role as article editor), also serving full terms on the Editorial Boards of Policy and Politics and Sociology.Â
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From the 2010s growing recognition of my work into global colonial whiteness and state power led to a range of international collaborations including ongoing collaborations across South Africa. My six year visiting appointment at the centre for Visual Identities in Arts and Design in the Faculty of Fine Arts and Design at the University of Johannesburg enriched my developing creative orientations through participation in various curations and related public work. My own creative outputs include collaborative arts and film installations that have been exhibited internationally in the USA, Mexico and South Africa and South Korea.Â
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My public speaking and media invitations come from high profile UK national organisations as varied as Shakespeare's Globe Theatre, Pushkin House, the Royal Society for the Arts, West Yorkshire Playhouse, to professional associations like The Guild of Psychotherapists and the BAMEed Network as well as internationally located policy organisations like the Gauteng City-Region Observatory in Johannesburg South Africa to regional arts organisations like the Blue Coat Centre in Liverpool, and local community groups like the Network of Women and Men up North in Sheffield. My research has been reported on in international news media as widely across as widely as France, Switzerland, the United States, South Africa and Pakistan.
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Current Projects
I am currently working on multiple interconnected projects which deepen the interdependence between the three dimensions of my practice creative, cultural and political:
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A book project about rising to the social, cultural and governmental challenges of our current global colonial wreckage in the global colonial North entitled 'Global Colonial White:Â liberal democratic failure, the rise of illiberalism and the decolonizing impulse'.
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A creative non fiction book project on Whiteness as suspended agency entitled 'White States of Mind'.
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An experimental essay film which builds out of the thematics considered in the video installation  Disobedient Bodies (Halász and Hunter, 2025).Â
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A public live arts and conversation project rooted in the affective life of the City of Birmingham and the neighbouring Metropolitan Borough of Sandwell which builds out of my work on the role of pessimist affect as a mode of care in community life and is rooted in my experience of growing-up in Smethwick on the Birmingham/Sandwell border. Some of these current directions are visible in my earlier work on White looking inspired by the work of the Handsworth based photographer Vanley Burke.Â